Tuesday, January 22, 2008

1

I am a pop culture junkie. And I readily admit this.

My media consumption really revolves around my love for what's current. Since I started University and gained access to high speed internet, paired with a sporadic class schedule, more of my spare time has been filled with visits to trashy celebrity gossip websites, Facebook, and music blogs.

This, paired with the fact that I’m also quite the reality t.v. connoisseur and documentary fan, sums up a good chunk of my media consumption: If it’s about people, there’s a good chance I’ll watch it. If there is something intriguing, something different about what is being portrayed, I’ll probably be a fan of it. When we started talking about the cultural significance of t.v. shows like the Trailer Park Boys tonight in class, it got me thinking about my fondness for the show and why this might be.

The Trailer Park Boys really coincide with my love of reality t.v. and general voyeurism that comes with this type of media. With the wild popularity of reality television, it’s no wonder that scripted television shows have remediated to incorporate the elements of these depictions of “reality” that works to draws audiences in. The show is very immediate at times, as the “footage” is shot documentary style to invite the audience into the goings on, and gives the viewer the “fly on the wall” angle, a way to be a part of the show, without the ability to interact or manipulate any of the situations at hand, much like reality television. And, like Andrew mentioned tonight in his part of his group’s presentation tonight, The Trailer Park Boys often deviates from this view and reminds the viewer of the media at hand: Ricky swearing at the camera crew, dropped cameras after explosions, etc, which Andrew had noted in movies like the Blair Witch Project. The general tone that I am given after being a fan of the show for several years now is parody of the “white trash" stereotype. It’s an extreme, over exaggerated version of what it’s like to be poor, lower class, all while trying to make a quick buck.

But the Trailer Park Boys really take the idea of the pseudo reality television program and taken it a step closer to reality television, by appearing on legitimate news and pop culture t.v. shows like CBC’s The Hour, and remaining in character for interviews*. There is no indication that they are fictional characters, or that they are part of a larger “mockumentary.” The interview proceeds as any other would. While it adds to the intimacy of the show between the viewer and the characters, not unlike the “real” people portrayed on legitimate reality television, this type of portrayal made me think about representation. If the only images of lower class that the particular demographic of The Hour are exposed to are characters who are playing up an extreme stereotype, does then the Trailer Park Boys become less of a parody and more of a representative agent? And if so, does the image portrayed become more about cultural representation and less about entertainment and parody?

*Interview can be found at: http://www.cbc.ca/thehour/video.php?id=1478

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